Recently I've been writing about my photographs, where I made them, who is in them and where the prints and negatives are stored. While I have printed and mounted contact prints of virtually all of my negatives and have written brief notes about them I have not always included complete information. This is a process of discovery and recovery, an opportunity of seeing and interpreting my work again.
I'm using my journals to confirm the times and places of some photographs.
My mother, our family's first documentary photographer, often wrote names and dates on the borders of the black and white prints which were printed for her by a lab in Winnipeg. In some cases she wrote on the back of the photos with pencil. However, she did not write a journal and never wrote about the photographs or being a photographer. She said 'I'm not a photographer: I just took photos of my kids.'
In examining our familys' photographs we want to know the identities of all of the people in them. I have a photograph in my collection of a small town baseball team. The previous owner of the photograph used a ballpoint pen to write names and to draw arrows on the photograph in order to identify his father and the rest of the team. Archivists would cringe at the sight of this photo, but it tells a story of not only the ball team but also of how photographs are often viewed: 'This is a picture of George and Frank etc.' I would never draw on a photograph, but I love this photo/document.
A picture may be worth a thousand words, but documenting our photographs and our photography helps us and others to understand our work.
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